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Maria Altmann, an octogenarian Jewish refugee, takes on the Austrian government to recover artwork she believes rightfully belongs to her family.

Director: Simon Curtis. Writers: Alexi Kaye Campbell , E. Added to Watchlist. From metacritic. Everything New on Netflix in June.

Favorite Movies Based on True Stories. Share this Rating Title: Woman in Gold 7. Use the HTML below. You must be a registered user to use the IMDb rating plugin.

Edit Cast Cast overview, first billed only: Helen Mirren Maria Altmann Ryan Reynolds Randy Schoenberg Daniel Brühl Hubertus Czernin Katie Holmes Pam Schoenberg Tatiana Maslany Young Maria Altmann Max Irons Fritz Altmann Charles Dance Sherman Antje Traue Judge Florence Cooper Jonathan Pryce Chief Justice Rehnquist Frances Fisher Barbara Schoenberg Moritz Bleibtreu Gustav Klimt Tom Schilling Heinrich Allan Corduner Gustav Bloch-Bauer Henry Goodman Learn more More Like This.

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Trivia The real E. Randol Schoenberg is seen in the final scene of Dame Helen Mirren Maria Altmann , his client going around and imagining her old apartment, who looks to raise his glass in a toast directly at the camera - so, to her, Altmann's point-of-view.

Quotes Randol Schoenberg : I could've searched for the file on my own. Randol Schoenberg to act on her behalf. Schoenberg was the son of a woman she had been friends with since they lived in Vienna.

The committee turned down the request, again citing Adele's will as the reason they were retaining the works. The committee's decision recommended that 16 Klimt drawings and 19 pieces of porcelain that had been held by Ferdinand and Adele and which were still at the Galerie Belvedere should be returned, as they fell outside the request of the will.

In March Altmann filed a civil claim against the Austrian government for the return of the paintings. She was informed that the cost of filing consisting of 1.

The Austrian government filed for dismissal, with arguments based on the Foreign Sovereign Immunities Act The Act granted immunity to sovereign nations except under certain conditions.

Schoenberg showed that three of the conditions pertinent to the case were that Altmann's property had been taken in violation of international law; the property was owned by the state in question, or one of its agencies; and that the property had been used on a commercial basis in the US.

To avoid returning to the courts in what could have been lengthy litigation process, arbitration in Austria was agreed upon by both parties, although the Austrians had turned down such a move in They stated that five of the six paintings in question should be returned to the Bloch-Bauer estate, as outlined in Ferdinand's will; only the Portrait of Amalie Zuckerkandl was to be retained by the gallery.

After the panel's decision was announced, the Galerie Belvedere ran a series of advertisements that appeared in bus stops and on underground railway platforms.

The posters said "Ciao Adele", advertising the last opportunity before the painting left the country and long queues formed around the block.

Although there were calls from some Austrians for the state to purchase the five paintings, the government stated that the price would be too high to justify the expense.

When Altmann was asked what she wanted to do with the paintings, she stated "I would not want any private person to buy these paintings, It is very meaningful to me that they are seen by anybody who wants to see them, because that would have been the wish of my aunt.

Eileen Kinsella, the editor of ARTnews , considered the high price was due to several factors, particularly the painting's provenance, the increasing demand for Austrian Expressionism , rising prices in the art world and "Lauder's passion for and pursuit of this particular work".

The painting has been on display at the location since. Michael Kimmelman , the chief art critic for the New York Times , was critical of the sale, and wrote that "A story about justice and redemption after the Holocaust has devolved into yet another tale of the crazy, intoxicating art market.

All went to private collections. Altmann died in February , aged From Wikipedia, the free encyclopedia. For the British film, see Woman in Gold film.

For the Blues Pills album, see Lady in Gold album. Detail of Judith I , for which Adele modelled.

Preparatory sketch for the portrait, c. Johnson states that the writer was Karl Kraus , not Pötzl. The painting had been stolen by the Nazis and was one of several such stolen works held by the Leopold.

The two panellists agreed on Rummel, a law professor and an expert on Austrian civil law. On her death she left the painting to the Galerie Belvedere.

Altmann claimed the transfer was through an illegal act by Führer; the Zuckerkandl heirs claimed the printing was donated freely by Ferdinand.

With no clear evidence to show the transfer from Ferdinand had been coerced or illegal, the panel stated that the Restitution Act did not apply, and the painting should remain with the Galerie Belvedere.

Republic of Austria , p. Republic of Austria , pp. Altmann U. Dean, Catherine London: Phaidon Press.

Gustav Klimt. Translated by Beyer, Hugh. Cologne: Benedikt Taschen. Translated by Campbell, Alexandra.

Liverpool: Tate. New York: The Vendome Press. New York: Harry N. In Betancourt, Roland; Taroutina, Maria eds. Cologne: Taschen.

New York: Vintage Books. Gustav Klimt: Painter of Women. Munich: Prestel. New York: Parkstone International. London: Aurum Press. London: Thames and Hudson.

The Burlington Magazine. The Art Bulletin. The Independent on Sunday. Retrieved 24 April Los Angeles Times.

Retrieved 27 April Oxford Art Journal. New York Times. ARTnews : — The Daily Telegraph. The Guardian. Randol Schoenberg—for the gold Klimt".

Retrieved 28 April Retrieved 8 May Library Journal Reviews. Art Journal. Republic of Austria". International Legal Materials.

American Society of International Law. January Vogel, Carol 19 June The Hollywood Reporter. Altmann and others v. University of Geneva.

Retrieved 17 April Bloch-Bauer, Adele Retrieved 22 April Donovan, Diane 1 October MBR Bookwatch.

See the full list. Maria Altmann, an octogenarian Jewish refugee, takes on the Austrian government to recover artwork she believes rightfully belongs to her family.

An inexperienced U-boat crew has to survive a secret mission and a young German woman is torn between loyalty for her home country and the French resistance in the WWII drama.

A dramatic thriller based on real events that reveals the quest to expose the deceptions and corruptions of power that turned an Internet upstart into the 21st century's most fiercely debated organization.

A secluded farm is struck by a strange meteorite which has apocalyptic consequences for the family living there and possibly the world.

Set in the near-future, technology controls nearly all aspects of life. But when the world of Grey, a self-labeled technophobe, is turned upside down, his only hope for revenge is an experimental computer chip implant.

Sign In. Keep track of everything you watch; tell your friends. Full Cast and Crew. Release Dates.

Official Sites. Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide. OK, maybe following all the legal machinations gets a little dry at points, but I'm happy with this.

While I don't know the details of the actual history in this case, from what I'm able to make out it seems like this film stays pretty true to the facts.

I, for one, am glad they resisted the trend of schmaltzing the thing up. Sign In. Keep track of everything you watch; tell your friends.

Full Cast and Crew. Release Dates. Official Sites. Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide.

External Sites. User Reviews. User Ratings. External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits.

Alternate Versions. Rate This. Maria Altmann, an octogenarian Jewish refugee, takes on the Austrian government to recover artwork she believes rightfully belongs to her family.

Director: Simon Curtis. Writers: Alexi Kaye Campbell , E. Added to Watchlist. From metacritic. Everything New on Netflix in June.

Favorite Movies Based on True Stories. Share this Rating Title: Woman in Gold 7. Use the HTML below. You must be a registered user to use the IMDb rating plugin.

Edit Cast Cast overview, first billed only: Helen Mirren Maria Altmann Ryan Reynolds Detail of Judith I , for which Adele modelled.

Preparatory sketch for the portrait, c. Johnson states that the writer was Karl Kraus , not Pötzl. The painting had been stolen by the Nazis and was one of several such stolen works held by the Leopold.

The two panellists agreed on Rummel, a law professor and an expert on Austrian civil law. On her death she left the painting to the Galerie Belvedere.

Altmann claimed the transfer was through an illegal act by Führer; the Zuckerkandl heirs claimed the printing was donated freely by Ferdinand.

With no clear evidence to show the transfer from Ferdinand had been coerced or illegal, the panel stated that the Restitution Act did not apply, and the painting should remain with the Galerie Belvedere.

Republic of Austria , p. Republic of Austria , pp. Altmann U. Dean, Catherine London: Phaidon Press. Gustav Klimt.

Translated by Beyer, Hugh. Cologne: Benedikt Taschen. Translated by Campbell, Alexandra. Liverpool: Tate.

New York: The Vendome Press. New York: Harry N. In Betancourt, Roland; Taroutina, Maria eds. Cologne: Taschen.

New York: Vintage Books. Gustav Klimt: Painter of Women. Munich: Prestel. New York: Parkstone International. London: Aurum Press.

London: Thames and Hudson. The Burlington Magazine. The Art Bulletin. The Independent on Sunday. Retrieved 24 April Los Angeles Times.

Retrieved 27 April Oxford Art Journal. New York Times. ARTnews : — The Daily Telegraph. The Guardian. Randol Schoenberg—for the gold Klimt".

Retrieved 28 April Retrieved 8 May Library Journal Reviews. Art Journal. Republic of Austria". International Legal Materials.

American Society of International Law. January Vogel, Carol 19 June The Hollywood Reporter. Altmann and others v.

University of Geneva. Retrieved 17 April Bloch-Bauer, Adele

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